With the birth of the crown prince in January 1768, Caroline Matilda had fulfilled her most important duty. The queen embraced her role as a mother far more fully than was usual for someone of her rank. She spent as much time as possible with her son, and even breastfed him herself. In other roles, she was less in line with the expectations of her contemporaries. On the medical advice of Struensee – and to please her husband, who had a predilection for the masculine – Caroline Matilda often rode astride in public. She wore men’s clothing, had herself painted in uniform, took great pleasure in going for walks in the city and the countryside, and made only half-hearted efforts to conceal her relationship with Struensee. 18th-century society was changing, but only very slowly, and Caroline Matilda’s quest for personal freedom met with a distinct lack of understanding.
Pencil drawing based on a painting by Peder Als, 1771
Bomann Museum Celle
BGR00647
In July 1770, Caroline Matilda wore the uniform of her Leibregiment (personal guards) on the occasion of the consecration of two flags for the regiment. However, the fact that she commissioned a formal, almost life-size portrait of herself in the uniform was very unorthodox.
Nils Peter Norrmann
Gouache on ivory; gold, around 1770
The Royal Danish Collection
14-97
Caroline Matilda was a keen horse rider and also rode out to hunt – even though athletic riding was viewed by most people in the 18th century as an exclusively male skill. Women riding astride rather than side-saddle were viewed as being obscene. Caroline Matilda had her portrait painted several times in the green riding clothes depicted here.
Copperplate engraving from Johann Heinrich Zedler’s “Grosses vollständiges Universal-Lexicon aller Wissenschaften und Künste” [“Great Complete Encyclopaedia of All Sciences and Arts”] (1731-54)
Reproduction
Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
Listed in the inventory from Caroline Matilda’s time in Celle is a “motion machine” – a piece of “sports equipment” for discreet riding, away from the public eye. Servants would operate the “horse”, simulating the experience of horse riding for the person in the saddle.